Errant Ramblings: Mitzi Szereto’s Weblog

There’s a lot to be said for being a bin man. Now I’m not trying to use sexist terminology here, but I’ve yet to see a lady bin man. Anyway, “bin man” has a better ring to it. So, for aesthetic purposes, let’s continue with the masculine title.

I’m often approached by people who tell me that they want to become a writer and ask me for advice on what to do. (I generally tell them to go buy a gun and shoot themselves.) They get this child-like glazed-over look in their eyes, no doubt envisioning all those wining and dining New York City lunches with high profile agents and book editors at Tavern on the Green. Oh yeah, Tavern on the Green went bust, didn’t they? Ah well, considering the fickle and transient nature of the publishing business, you’ll be lucky if your agent or editor springs for a Big Mac and fries!

Which leads me to the point of this blog missive: if you had to choose between a career as a writer and a career as a bin man, which would it be?

I can hear your answer already, you poor deluded naive soul. Though who am I to burst your bubble? But may I, for a moment, plead the case for the humble and unappreciated bin man?

There are many advantages to being a bin man. First of all, there’s the obvious: a steady paycheque. Depending on which country you live in, there are some good benefits too, such as health insurance for you and your family and a nice pension plan. Of course, if you’re living in America, the government will probably take these things away from you in order to bail out fat-cat bankers. But I digress…

Another advantage to being a bin man is that no one’s likely to rip off your ideas because they lack the talent, creativity and ability to come up with their own. (Forget that “intellectual property” bullshit; it won’t hold up in court.) Having said that, if you in your capacity as bin man suddenly develop some innovative new method to carry or empty bins, it could happen – and all the other bin men will be jumping on the bandwagon (or rubbish truck) doing the exact same thing. But let’s leave that for now, since bin men don’t need to live off their royalties!

Oh, yeah. And that’s another good reason to choose the litter-strewn path of a bin man – no royalty payments. Bin men are paid a set amount per week or month, and there’s no fluctuation in that number unless a pay rise (or cut) has been implemented. As for writers, when (or IF) your royalty payments turn up, they might look a tad peculiar, as in never actually accruing any earnings above the advance which was paid out (usually barely enough to pay the gas bill). I’ve had discussions with other writers on this very subject and they all say the same thing: they rarely see a penny in earnings after they’ve deposited their very tiny advance cheque (and some writers don’t even get an advance!). Yet go on Amazon or phone your local Barnes & Noble, and they’re always out of stock and having to reorder your books. It kinda makes you wonder if some of these publishers have Mr Bean doing their accounting.

Obviously, the issue of royalties means that you’ve actually been published – and to be published, your work needs to be seen by the right people (and by right people, I mean a real editor or agent, not some ditsy college intern who thinks she’s Carrie Bradshaw). Bin men don’t need to worry about their work being seen by the right people. They empty the rubbish and that’s it, they’re done. Writers waste time and energy and money submitting their material to agents and publishers, only to have it not even properly considered (let alone read) or completely ignored. (And yes, Dorothy, that includes solicited submissions.) Bin men also don’t have to swallow down that great big gorge of vomit every time they see some hack who can’t write his or her way out of a paper bag being rewarded with book deal after book deal as effortlessly as a rat drops turds.

Am I suggesting that the majority of writers are treated like shit by those who seek to profit from our labours? I’ll let you decide. But let’s face it, there are far too many of us around, and our sheer numbers alone do little to inspire respect from those who have control over our livelihoods. We’re like the cast of a spaghetti western – you can shoot down as many of us as you want, yet still more keep popping up. Come to think of it, maybe we’re like those zombies from Night of the Living Dead.

To aspiring writers, I recommend the Martin Amis novel The Information. Flawed or not, it deals with the grim realities of the publishing business and “life” as an author. More importantly, however, it deals with the celebration of mediocrity which, I’m sorry to say, permeates every aspect of our culture, not just the literary spectrum. Also read my blog posts Aren’t We Just Precious: Writers Who Live in Ivory Towers about author ego and book promotion, and Fairy Tales Can Come True (Well, Maybe if They’re in a Book), which touches on the odds of even getting published at all.

So why do we writers do it? Because we’re sick and twisted, that’s why. And maybe because we don’t want to (or can’t) live like the rest of society. Perhaps it’s our inability to conform that keeps us banging our heads against brick wall after brick wall. Indeed, we’re true renegades.

…Or true masochists.

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Mitzi Szereto at Mitzi TV "Prowling For Eels" video shoot

…It’s Mitzi TV!

And just what did you think it was, a man with three buttocks?

In case you didn’t already know (like where you been, mate?), Mitzi TV is the new web TV channel to head to for all things quirky and eccentric in London. We’ve gone from crazy pub singalongs, eating jellied eel, and chatting about classic cars with such luminaries as Formula 1 racecar driver/BBC TV presenter Tiff Needell, couture shoe designer Jimmy Choo and Batman – to Morris dancing with software geeks. And no, this wasn’t in the same episode!

Of course, I couldn’t create all this madness and mayhem without the talents of cameraman extraordinaire/stand-up diamond geezah Steve Beer and cutie-pie theme musicman extraordinaire Andrew Shatnyy (Facebook/MySpace). And let’s not forget the talents of my handsome (albeit furry) production assistant extraordinaire Teddy Tedaloo, who also provides onscreen talent.

As for those buttocks I mentioned, how do you deal with a governmental body that has all the common sense of not even one buttock?

In my never-ending quest to bring you the ever-quirky and eccentric (while still managing to stay out of the loony bin), I recently found myself entering into a rather annoying fracas with a governmental body: the Royal Parks people. I knew I should’ve cut through all those buzzing drones and biscuit-eating/tea drinking middle men (and women) and gone straight to the top, specifically HRH. Now Lizzie’s a queen who gets things done!

I am referring to a recent attempt by yours truly to line up permission to shoot a Mitzi TV video at Speaker’s Corner in London’s Hyde Park. Because it’s a “Royal” park, I knew I’d need to obtain an official okay. I mean, it wasn’t like we’d be there with a little digital camera and could subtly blend into the crowd. We run a professional operation with professional equipment. (Plus people have commented on that big-ass mike I use, so “subtle” is not the word that springs to mind when we’re talking a Mitzi TV shoot.) Since Speaker’s Corner necessitates a substantial police presence (some of the speakers and audience members can get pretty wound up apparently), I didn’t fancy being led away by the Old Bill, therefore I decided to follow the proper channels to make the shoot happen. It’s a quirky kind of event, and Mitzi TV is nothing if not quirky, so it didn’t seem likely I’d be given an “on yer bike, missus!”.

When I received an email replying to my query, I thought, hey, this is great – sounds like we’re in! Here follows the exact text that refers directly to the issue about who and what controls the area in question:

Speaker’s Corner is an integral part of Hyde Park, which is one of London’s eight Royal Parks. The Royal Parks are owned by the Crown, but were passed to the Government under the Crown Lands Act 1851 to be managed as public open space. They are now the responsibility of the Secretary of State for Culture, Media and Sport, who delegates their day to day management to The Royal Parks.  They are funded by the taxpayer.

Teddy Tedaloo in Mitzi TV video opener

“Public open space.” “Funded by the taxpayer.” Well, I’m no lawyer, but this sounds like the definition of a public place – and you do not need permission to film in a public place (not yet anyway). That is why it’s called “PUBLIC.” That statement about being funded by the taxpayer put a further stamp of approval on the process, because guess who’s a taxpayer? Yeah, moi. Just to make certain there was no misinterpretation on my part as to what clearly looked to be a clear description of who controls the park, I messaged once more to confirm that I’d be allowed to shoot some video of the speakers, and asked which specific days they were there spouting off.

The reply came back that these Soapbox Annies and Alis are there on Sundays only, and yes, I would need permission to film, but my message was being forwarded to the Appropriate Party. Not wanting to waste time, I shot off an email to this A.P., explaining what I wished to do and that I’d like to take care of the details as quickly as possible. A.P. messaged back, informing me that they do not permit filming at Speaker’s Corner on Sundays, but I could phone them to discuss the matter further.

Umm… did they not just tell me that I couldn’t film there on a Sunday? So what was there to discuss, the weather? Of course we all know how the Brits love to talk about the weather.

So did this mean they’d give me permission to film at Speaker’s Corner on a day that was not a Sunday? Now forgive me if I’m wrong (or extremely stupid), but what’s the point of filming speakers at Speaker’s Corner when there aren’t any speakers there to film? This is the very question I put forth to A.P. in my reply, also mentioning the fact that plenty of people have shot videos there – how could this be possible if they needed to obtain permission? Needless to say, my email did not receive a response.

Mitzi Szereto at Mitzi TV "Baby You Can Drive My Car" video shoot

Now I have nothing against doing a bit of guerrilla filming – I’ve got more cajones than any of the men I’ve known. However, what I do have something against is being harassed (and led away by handcuffs) by the police. There’s a time and place for handcuffs – and this isn’t one of them. Besides which, London coppers aren’t as cute as they used to be. They’re getting a bit wide, if you know what I mean, looking more and more like their doughnut-eating American counterparts. So we’d better forget the handcuffs for now.

As for Mitzi TV, keep an eye out for me at Speaker’s Corner, because I don’t like taking “no” for an answer.

Guess it’s a good thing they abolished beheading in this country…

MITZI TV

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Teddy Tedaloo reads "In Sleeping Beauty's Bed: Erotic Fairy Tales"

No, I’m not talking about what you think (or hope) I’m talking about. Nor am I talking about Depeche Mode’s Dave Gahan. As you may already know, I’ve blogged about Dave before – he was one of my very first Facebook friends! (Alas, our relationship has since gone pear-shaped, and we’re no longer speaking.)

No, I’m talking about Teddy Tedaloo, who’s one of my most devoted fans. Well, he’d better be, since I pay the rent. Though I really wish he’d stop singing that damned Pet Shop Boys song all the time; it’s beginning to get up my nose. I love you, you pay my rent, indeed! Mind you, when it comes to fans, he has plenty himself, if his Facebook group is anything to go by… and my long-distance phone bill. When my shipment of author copies for In Sleeping Beauty’s Bed: Erotic Fairy Tales arrived the other morning courtesy of my publisher Cleis Press in San Francisco, who do you think couldn’t wait to tear open the box?

You guessed it.

I didn’t even get a chance to make a cup of tea before Ted was already in the kitchen rustling about in the knife drawer to find something to slice open the box with. The next thing I know he’s happily ensconced on the fluffy white coverlet on our sofa with his little black nose buried in the book. How he managed to fetch his reading glasses from the upstairs bedroom without my seeing him is anyone’s guess. I suppose that’s one of the advantages of being diminutive in stature.

“Now Mitzi, are you using your blog to plug your new book release?” I hear you asking. Why, of course I am! After all, it’s my blog and I can do what I want with it. Having said that, don’t I provide you with hours and  hours of free entertainment? After all I’ve done for you – sacrificed for you, is it so much to expect a little consideration and support? (Insert Jewish mother guilt-inspiring voice here.) Haven’t I given you the best years of my life? (Insert nagging-wife voice here.) If my book is good enough for my bear, then it’s good enough for you! And take my word for it when I say that Ted’s not easily impressed. You’d be hard-pressed to find a more difficult critic to get past.

So if you want to make me happy (and you do want to make me happy, don’t you?), then click on one of the very handy Amazon carousels located right here on my website (you can select from three different countries – oy, how easy can it be?) and pre-order your copy of In Sleeping Beauty’s Bed now!

Do it because you love me.

And if you don’t, so lie.

(BTW, if you happen to be a book reviewer, drop me a note and I’ll put in a review copy request for you. But you gotta promise to be nice!)

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Mitzi Szereto at Mitzi TV "Knees Up Mother Brown" video shoot

Mitzi TV go for a right old knees-up at a proper authentic English “local”, The Duke of Kendal pub in Central London, where all forms of madness ensue. From colourful characters to rude Cockney songs and operatic arias, this is English eccentricity at its very finest!

Visit the official Mitzi TV website at: http://mitziszereto.com/tv

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An entire hour of talk on subjects ranging from the internet, world travel, culture shock, life as an expat, fairy tales, erotic writing, Las Vegas, British drinking habits, English football, blogging, sex, and Mitzi TV! (Originally broadcast on 4 August 2009 on the “Sin City Sessions” programme with Marq Piocos, BlogTalkRadio).

Click here to listen now: BlogTalkRadio Interview

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A chat about my grand passion the internet, along with email etiquette, social networking, geekdom, and all things Mitzi TV; (broadcast on 4 August 2009, the Dave Monk programme, BBC Radio Essex).

Click here to listen now: BBC Radio Interview

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Mitzi TV ventures into Central London to meet up with the Westminster Morris Men, a team of Morris dancers who do a lot more than shake their booty as they keep alive this wonderfully rhythmic English folk dance!

Visit the official Mitzi TV website at: http://mitziszereto.com/tv

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Mitzi TV heads to the Connaught Village Spring Festival in London, encountering some cool cars and the likes of Batman, Fred Flintstone, Formula 1 racecar driver and BBC Television’s “Top Gear” and “Fifth Gear” presenter Tiff Needell, and Carrie Bradshaw’s favourite couture shoe designer Jimmy Choo!

Visit the official Mitzi TV website at: http://mitziszereto.com/tv

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Mitzi TV goes on the prowl in London in search of the famous East End Cockney delicacy, the jellied eel… (Turns out these scary denizens of the deep weren’t our cup of tea. We should’ve ordered the pie and mash instead!)

Visit the official Mitzi TV website at: http://mitziszereto.com/tv

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There’s nothing more pompous than a writer who is precious about his or her work. If you’ve been around a bit, be it in the publishing world or even in a creative writing class, you’ve no doubt run into such a creature. As the editor of a number of anthologies, I’ve met up with my fair share of writers with inflated egos and more attitude than talent, but come on – there’s a limit!

The other day I received a rather unpleasant email from an author who told me that he no longer wishes to receive any communication from me. Now this is not someone with whom I’ve been in endless email discourse, but someone who might, if he’s lucky, get an email from me maybe once or twice a year. Apparently I remind him of a world he’d rather not be a part of  – which I assume means the one belonging to a writer who does not have the luxury of toiling away in an Ivory Tower deep in the rugged hinterland, protected from the unpleasantries of the world such as promotion, publicity, administrative tasks, laundry, and pretty much struggling to avoid having one’s mail forwarded to a cardboard box.

Now I’m not going to name this individual, save for the fact that he’s had several books published and, thanks to me, sold several more on my recommendation alone. In his email where he dismisses me from his universe, he emphatically states that he is a writer of “SERIOUS LITERARY FICTION.” Ouch! I guess in effect he’s telling me (and thousands of other writers) that what we do is shit.

I’ve never met this guy, and frankly after this exchange I’ve no desire to. I did get in the last word, however, telling him that he’s a lucky man indeed, if he has the luxury of avoiding all the hard graft the majority of us must undertake in order not to sink into the quicksand with all the other writers out there trying to survive against nearly impossible odds. Perhaps he also has publishers who knock themselves out to promote his books, unlike those of us who find ourselves in the rather unpleasant position of having to become not only our own publicist, but our own motivational speaker.

Those of you who’ve been working at this gig for awhile will know that the success of a book very often has nothing to do with how good it is, but rather how much went into its promotional budget. Get your book plastered all over the walls of the London Underground and sure, you can bet it’ll shift a multitude of copies. Send out a paltry smattering of review copies and it might shift a copy or two. Or it might not, depending on whether the reviewer was suffering from PMS that day. The irony is, the average Stephen King novel gets a huge promotional push, though with his amazing track record he hardly needs the kind of financial outlay that goes into selling his work. Yet the last I heard even Mr. King wasn’t too precious to indulge in a bit of self promotion. Why? Because that’s the way the game is played. I’ll tell you this: I’m thrilled to bits if someone is interested enough in my work to come to a reading or book signing just to see little me. And I’m even more thrilled if they plonk down their hard-earned dollars, pounds, euros, or rubles to actually buy something I’ve written.

Needless to say, I doubt very much that our Mr. Precious in his Ivory Tower will be reading this blog post. Reading a blog is beneath him, as is the filthy cesspool of literature festivals and book signings and author interviews. Should the time ever come when he can no longer meet his mortgage payments, I wonder if he’ll still feel the same way.

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