Errant Ramblings: Mitzi Szereto’s Weblog

There’s a lot to be said for being a bin man. Now I’m not trying to use sexist terminology here, but I’ve yet to see a lady bin man. Anyway, “bin man” has a better ring to it. So, for aesthetic purposes, let’s continue with the masculine title.

I’m often approached by people who tell me that they want to become a writer and ask me for advice on what to do. (I generally tell them to go buy a gun and shoot themselves.) They get this child-like glazed-over look in their eyes, no doubt envisioning all those wining and dining New York City lunches with high profile agents and book editors at Tavern on the Green. Oh yeah, Tavern on the Green went bust, didn’t they? Ah well, considering the fickle and transient nature of the publishing business, you’ll be lucky if your agent or editor springs for a Big Mac and fries!

Which leads me to the point of this blog missive: if you had to choose between a career as a writer and a career as a bin man, which would it be?

I can hear your answer already, you poor deluded naive soul. Though who am I to burst your bubble? But may I, for a moment, plead the case for the humble and unappreciated bin man?

There are many advantages to being a bin man. First of all, there’s the obvious: a steady paycheque. Depending on which country you live in, there are some good benefits too, such as health insurance for you and your family and a nice pension plan. Of course, if you’re living in America, the government will probably take these things away from you in order to bail out fat-cat bankers. But I digress…

Another advantage to being a bin man is that no one’s likely to rip off your ideas because they lack the talent, creativity and ability to come up with their own. (Forget that “intellectual property” bullshit; it won’t hold up in court.) Having said that, if you in your capacity as bin man suddenly develop some innovative new method to carry or empty bins, it could happen – and all the other bin men will be jumping on the bandwagon (or rubbish truck) doing the exact same thing. But let’s leave that for now, since bin men don’t need to live off their royalties!

Oh, yeah. And that’s another good reason to choose the litter-strewn path of a bin man – no royalty payments. Bin men are paid a set amount per week or month, and there’s no fluctuation in that number unless a pay rise (or cut) has been implemented. As for writers, when (or IF) your royalty payments turn up, they might look a tad peculiar, as in never actually accruing any earnings above the advance which was paid out (usually barely enough to pay the gas bill). I’ve had discussions with other writers on this very subject and they all say the same thing: they rarely see a penny in earnings after they’ve deposited their very tiny advance cheque (and some writers don’t even get an advance!). Yet go on Amazon or phone your local Barnes & Noble, and they’re always out of stock and having to reorder your books. It kinda makes you wonder if some of these publishers have Mr Bean doing their accounting.

Obviously, the issue of royalties means that you’ve actually been published – and to be published, your work needs to be seen by the right people (and by right people, I mean a real editor or agent, not some ditsy college intern who thinks she’s Carrie Bradshaw). Bin men don’t need to worry about their work being seen by the right people. They empty the rubbish and that’s it, they’re done. Writers waste time and energy and money submitting their material to agents and publishers, only to have it not even properly considered (let alone read) or completely ignored. (And yes, Dorothy, that includes solicited submissions.) Bin men also don’t have to swallow down that great big gorge of vomit every time they see some hack who can’t write his or her way out of a paper bag being rewarded with book deal after book deal as effortlessly as a rat drops turds.

Am I suggesting that the majority of writers are treated like shit by those who seek to profit from our labours? I’ll let you decide. But let’s face it, there are far too many of us around, and our sheer numbers alone do little to inspire respect from those who have control over our livelihoods. We’re like the cast of a spaghetti western – you can shoot down as many of us as you want, yet still more keep popping up. Come to think of it, maybe we’re like those zombies from Night of the Living Dead.

To aspiring writers, I recommend the Martin Amis novel The Information. Flawed or not, it deals with the grim realities of the publishing business and “life” as an author. More importantly, however, it deals with the celebration of mediocrity which, I’m sorry to say, permeates every aspect of our culture, not just the literary spectrum. Also read my blog posts Aren’t We Just Precious: Writers Who Live in Ivory Towers about author ego and book promotion, and Fairy Tales Can Come True (Well, Maybe if They’re in a Book), which touches on the odds of even getting published at all.

So why do we writers do it? Because we’re sick and twisted, that’s why. And maybe because we don’t want to (or can’t) live like the rest of society. Perhaps it’s our inability to conform that keeps us banging our heads against brick wall after brick wall. Indeed, we’re true renegades.

…Or true masochists.

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Yours truly (that’s me!) recently took some time out to chat with journalist Michael Casey at a local Essex watering hole about my new entrepreneurial Internet television venture Mitzi TV – its origins, its direction, and its future, as well as the business of books, blogging, and social media.

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Mitzi Szereto at Mitzi TV "Prowling For Eels" video shoot

…It’s Mitzi TV!

And just what did you think it was, a man with three buttocks?

In case you didn’t already know (like where you been, mate?), Mitzi TV is the new web TV channel to head to for all things quirky and eccentric in London. We’ve gone from crazy pub singalongs, eating jellied eel, and chatting about classic cars with such luminaries as Formula 1 racecar driver/BBC TV presenter Tiff Needell, couture shoe designer Jimmy Choo and Batman – to Morris dancing with software geeks. And no, this wasn’t in the same episode!

Of course, I couldn’t create all this madness and mayhem without the talents of cameraman extraordinaire/stand-up diamond geezah Steve Beer and cutie-pie theme musicman extraordinaire Andrew Shatnyy (Facebook/MySpace). And let’s not forget the talents of my handsome (albeit furry) production assistant extraordinaire Teddy Tedaloo, who also provides onscreen talent.

As for those buttocks I mentioned, how do you deal with a governmental body that has all the common sense of not even one buttock?

In my never-ending quest to bring you the ever-quirky and eccentric (while still managing to stay out of the loony bin), I recently found myself entering into a rather annoying fracas with a governmental body: the Royal Parks people. I knew I should’ve cut through all those buzzing drones and biscuit-eating/tea drinking middle men (and women) and gone straight to the top, specifically HRH. Now Lizzie’s a queen who gets things done!

I am referring to a recent attempt by yours truly to line up permission to shoot a Mitzi TV video at Speaker’s Corner in London’s Hyde Park. Because it’s a “Royal” park, I knew I’d need to obtain an official okay. I mean, it wasn’t like we’d be there with a little digital camera and could subtly blend into the crowd. We run a professional operation with professional equipment. (Plus people have commented on that big-ass mike I use, so “subtle” is not the word that springs to mind when we’re talking a Mitzi TV shoot.) Since Speaker’s Corner necessitates a substantial police presence (some of the speakers and audience members can get pretty wound up apparently), I didn’t fancy being led away by the Old Bill, therefore I decided to follow the proper channels to make the shoot happen. It’s a quirky kind of event, and Mitzi TV is nothing if not quirky, so it didn’t seem likely I’d be given an “on yer bike, missus!”.

When I received an email replying to my query, I thought, hey, this is great – sounds like we’re in! Here follows the exact text that refers directly to the issue about who and what controls the area in question:

Speaker’s Corner is an integral part of Hyde Park, which is one of London’s eight Royal Parks. The Royal Parks are owned by the Crown, but were passed to the Government under the Crown Lands Act 1851 to be managed as public open space. They are now the responsibility of the Secretary of State for Culture, Media and Sport, who delegates their day to day management to The Royal Parks.  They are funded by the taxpayer.

Teddy Tedaloo in Mitzi TV video opener

“Public open space.” “Funded by the taxpayer.” Well, I’m no lawyer, but this sounds like the definition of a public place – and you do not need permission to film in a public place (not yet anyway). That is why it’s called “PUBLIC.” That statement about being funded by the taxpayer put a further stamp of approval on the process, because guess who’s a taxpayer? Yeah, moi. Just to make certain there was no misinterpretation on my part as to what clearly looked to be a clear description of who controls the park, I messaged once more to confirm that I’d be allowed to shoot some video of the speakers, and asked which specific days they were there spouting off.

The reply came back that these Soapbox Annies and Alis are there on Sundays only, and yes, I would need permission to film, but my message was being forwarded to the Appropriate Party. Not wanting to waste time, I shot off an email to this A.P., explaining what I wished to do and that I’d like to take care of the details as quickly as possible. A.P. messaged back, informing me that they do not permit filming at Speaker’s Corner on Sundays, but I could phone them to discuss the matter further.

Umm… did they not just tell me that I couldn’t film there on a Sunday? So what was there to discuss, the weather? Of course we all know how the Brits love to talk about the weather.

So did this mean they’d give me permission to film at Speaker’s Corner on a day that was not a Sunday? Now forgive me if I’m wrong (or extremely stupid), but what’s the point of filming speakers at Speaker’s Corner when there aren’t any speakers there to film? This is the very question I put forth to A.P. in my reply, also mentioning the fact that plenty of people have shot videos there – how could this be possible if they needed to obtain permission? Needless to say, my email did not receive a response.

Mitzi Szereto at Mitzi TV "Baby You Can Drive My Car" video shoot

Now I have nothing against doing a bit of guerrilla filming – I’ve got more cajones than any of the men I’ve known. However, what I do have something against is being harassed (and led away by handcuffs) by the police. There’s a time and place for handcuffs – and this isn’t one of them. Besides which, London coppers aren’t as cute as they used to be. They’re getting a bit wide, if you know what I mean, looking more and more like their doughnut-eating American counterparts. So we’d better forget the handcuffs for now.

As for Mitzi TV, keep an eye out for me at Speaker’s Corner, because I don’t like taking “no” for an answer.

Guess it’s a good thing they abolished beheading in this country…

MITZI TV

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Teddy Tedaloo reads "In Sleeping Beauty's Bed: Erotic Fairy Tales"

No, I’m not talking about what you think (or hope) I’m talking about. Nor am I talking about Depeche Mode’s Dave Gahan. As you may already know, I’ve blogged about Dave before – he was one of my very first Facebook friends! (Alas, our relationship has since gone pear-shaped, and we’re no longer speaking.)

No, I’m talking about Teddy Tedaloo, who’s one of my most devoted fans. Well, he’d better be, since I pay the rent. Though I really wish he’d stop singing that damned Pet Shop Boys song all the time; it’s beginning to get up my nose. I love you, you pay my rent, indeed! Mind you, when it comes to fans, he has plenty himself, if his Facebook group is anything to go by… and my long-distance phone bill. When my shipment of author copies for In Sleeping Beauty’s Bed: Erotic Fairy Tales arrived the other morning courtesy of my publisher Cleis Press in San Francisco, who do you think couldn’t wait to tear open the box?

You guessed it.

I didn’t even get a chance to make a cup of tea before Ted was already in the kitchen rustling about in the knife drawer to find something to slice open the box with. The next thing I know he’s happily ensconced on the fluffy white coverlet on our sofa with his little black nose buried in the book. How he managed to fetch his reading glasses from the upstairs bedroom without my seeing him is anyone’s guess. I suppose that’s one of the advantages of being diminutive in stature.

“Now Mitzi, are you using your blog to plug your new book release?” I hear you asking. Why, of course I am! After all, it’s my blog and I can do what I want with it. Having said that, don’t I provide you with hours and  hours of free entertainment? After all I’ve done for you – sacrificed for you, is it so much to expect a little consideration and support? (Insert Jewish mother guilt-inspiring voice here.) Haven’t I given you the best years of my life? (Insert nagging-wife voice here.) If my book is good enough for my bear, then it’s good enough for you! And take my word for it when I say that Ted’s not easily impressed. You’d be hard-pressed to find a more difficult critic to get past.

So if you want to make me happy (and you do want to make me happy, don’t you?), then click on one of the very handy Amazon carousels located right here on my website (you can select from three different countries – oy, how easy can it be?) and pre-order your copy of In Sleeping Beauty’s Bed now!

Do it because you love me.

And if you don’t, so lie.

(BTW, if you happen to be a book reviewer, drop me a note and I’ll put in a review copy request for you. But you gotta promise to be nice!)

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I’m starting up a fun new Web TV project (entertainment) and am inviting YOU to do the filming. If you like to have a laugh, have your own video equipment, can shoot in 16 x 9, and are located in Greater London (UK), this could be for you!

Prizes: Winners selected will receive film credit and a signed copy of one of my books. But hey, the best part of all is that you’ll get to hang out with me! How good can it possibly get?

For an idea of the kind of random madness I get up to, have a read of my blog posts.

(This contest will run indefinitely.)

To enter the competition, please provide the following in an email to: mitzi@ mitziszereto.com

-your name
-your location
-your contact details (including email and phone)
-your level of video-making experience
-links to samples of your work online (ie YouTube etc)
-video equipment available
-your availability

Good luck!

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Ever have one of those days where you know that if you stay home you might very likely chuck yourself out from an upstairs window? Well, that about sums up last Sunday. Therefore I decided to go to Camden Town for the afternoon to distract myself and scout out some bargains, despite the fact I hate to shop (though necessity prevails). As a starving writer and a woman who refuses to give in to the moneyed gentlemen she’s met over the years who’ve offered to keep her in high style (though as we all know, there’s no such thing as a free lunch), I’m not in the leagues of Bond Street or Harrods; there are no Prada handbags or expensive designer dresses in my closet. So it’s Camden Town for me, though many of the shops there are still out of my reach! (Let’s get my Amazon Kindle books and short stories selling, alreet?)

The day began in a manner that made me wish I’d stayed home, despite the dire temptation of the upstairs window. My train journey into the city consisted of having to listen to the Essex geezah behind me making and receiving endless calls on his mobile phone, most of which were of him threatening his mate with dire consequences if he didn’t cough up the 450 quid owed him when he got to his house. Okay, fine, it didn’t affect MY life, save for the fact that his language was highly inappropriate at half past eleven in the morning (just as it would have been at half past midnight). Mind you, it seems the majority of men in Essex cannot speak without every other word being an obscenity, most of which are particularly offensive to women. If you’ve ever encountered any Essex males (usually visible in a crowd by their West Ham shirts), I’m sure I need not elaborate.

Things really heated up when the fellow seated across from me (whom it was later revealed was an American tourist to our fair isle) decided to take a photograph of the landscape outside the train window, which apparently was directly in the range of Mr. Geezah’s personage. Well, Mr. Geezah took none too kindly to what he construed as a photo being taken of his fine Essex self, and things began to turn nasty. In caveman-speak, he laid into the fellow, demanding to know if he’d been photographed and why, which escalated into a threat to take the camera and smash it (and, I gather, smash its owner’s face as well). The exchange went on for a good fifteen minutes, in between more phone calls as to the whereabouts of his money. Finally we were left in peace when he exited the train – no doubt to pursue the poor bastard who owed him the 450 quid, as somehow I doubt he was heading off to a late Sunday service.

I eventually made it to Camden Town, which was bustling with people out for a day of posing, shopping, and eating. Is there a recession on? If so, I saw no evidence of it in Londontown. Mind you, I was hard-pressed to actually see any actual English people buying anything – the only ones who seemed to be taking out their wallets were Spaniards, Italians, and Russians. Oh, and me, who by a stroke of luck did manage to snag some bargains, which included haggling a market trader down by 25 quid on a purchase. I’d managed to recruit a friend along to play mule by carrying my bags and preventing me from going psycho in the crowd (I don’t “do” crowds). Happening upon a pub that served Fruli (my favourite strawberry beer) on tap didn’t hurt either. I suppose I got in my friend’s good graces when I naysayed his potential purchase of a rather pricey belt made up of bullets that looked like something from out of a spaghetti western. The thing looked fabulous dangling from a wire, but it quickly lost its appeal when worn. Although his intention was to wear it to heavy metal gigs, I was certain he’d end up being arrested as a suicide bomber before he’d even made it through the door.

I’m now wondering if maybe I should’ve bought the bullet belt myself, and possibly a gun to go along with it. It might come in handy next time I’m on the train…

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Okay, let’s get this straight: I’m a car person. I started driving when I was just a wee lass of 15. I’ve always gone everywhere in a car. Having spent a bit of time in California, particularly in the hardcore car culture of Los Angeles, I can definitely say that I often feel as if I’ve had my legs cut off living a car-less life in Britain. It’s not that I’m “green” – rather I’m simply too skint to own a car. (Subliminal message: buy more books buy more books!!!!!!!!!!!!)

Which relegates me to the glorious dregs of public transportation, where you can experience a lifetime’s worth of experience just trying to get home from an evening out. Mind you, not all experiences are worth having. I mean, living in a cave with Osama bin Laden isn’t an experience I’d wish to partake of. I wouldn’t care to shack up in a cave (or anywhere else for that matter) with Robbie Williams either. Or George Clooney. Or Nicholas Cage. As for Andrew Garfield (oy, such a nice Jewish boy!) … now you’re talking! And let’s throw in Jamie Draven while we’re at it. If Osama still insists on lurking around, we can always get him to make the kebabs. But that meat had better be Halal!

Right, so where was I? Oh, yeah, trying to get home. I can write a book about this, believe me – and who knows, maybe one day I will. Perhaps another in my Erotic Travel Tales anthology series. Erotic Travel Tales on British Public Transport – now there’s a catchy title. Or how about Erotic Tube Tales? Err… no, better scrap that one! Speaking of which, I always need the tube (London Underground to you non-Brits) and the train to get home. Note that I’m not factoring in the bus in this discussion, since I tend to avoid them now that I’m living in the Greater London area. I’ve had my fill of psychotic drivers who slam on the brakes in a standing-room only bus, then sit back and enjoy the mayhem. These early-release programmes from prison just don’t work, in my humble opinion.

The other week while waiting on a train platform, I observed a young couple arguing heatedly over the controversial subject of mayonnaise. And yes, I mean that creamy white stuff you slather onto bread when you make a sandwich. I edged discreetly away from the pair, concerned there might be bloodshed. I mean, a discussion of mayonnaise would surely have propelled even a peaceful chap such as Mahatma Gandhi into the ranks of ASBO status. Things soon calmed down, however, when the fellow nearly broke into tears, proclaiming to his woman in a sledgehammer urban London accent that he wanted to be the best he could be for her (a rather syphilitic-looking specimen), and that he was concerned for her health (bit late for that, mate!). I almost wept I was so moved. Well, no, actually I didn’t.

The night would later reach a climactic crescendo as I walked home from the railway station and happened upon a quartet of lads with pint glasses in hand, whereupon two of them (the lads, not the pint glasses) proceeded to urinate the lager they’d been consuming all evening against some unsuspecting trees. (I’ve heard of taking the piss, but this is ridiculous!) They didn’t seem bothered about me, although that’s probably got more to do with the fact that I don’t look like I belong, since I don’t go around with my arse (and the bit wot goes in front) sticking out from under my skirt or my boobs falling out of my top or – the ultimate giveaway – staggering about shriekingly drunk on heels so high they’d give a normal woman (or trannie) nosebleed. Nope, I’m definitely not one of these fair English maidens who end the evening unconscious in a gutter with an all-new strain of STD incubating in their loins.

Now I suppose I could regale you with some tales of true horror, but that wouldn’t be fair. After all, it’s not all gloom and doom in the big bad world of British public transport. Why, I’ve even had my fair share of romance on these journeys, and that doesn’t include eavesdropping on couples indulging in sweet-talk about Hellmann’s or being felt up in a crowded tube train – which luckily has never happened to me and likely never will, since I AM the woman who edited Getting Even: Revenge Stories remember? Anyway, one time there was this rather curious fellow across from me on the train making quick work of two large tins of lager who kept insisting I listen to the music playing on his iPod, as I was sure to “love it”. I told him I only love Staind. He seemed to believe my love would extend to the song he was playing (and perhaps to him). It didn’t. He was crushed. Bad enough I’d broken his heart, but when he got off the train at the same stop as me, well… let’s just say that I walked pretty darned fast up that hilly road home!

Then there was that proposal of marriage from a rather cute bloke who, in an empty train, decided to come sit near me (thank god for CCTV), only to spend the next few minutes gazing at me all starry-eyed. He finally blurted out something about my being a very attractive woman (so who am I to argue?) and pleading with me again and again to please please let him kiss me. He later called out to me to please please wait as I hurried along the station platform to the exit – and consequently, away from his matrimonially minded clutches. Last I heard he was heading off to Southend (or Sarfend as it’s known round ‘ere).

I admit London is probably the place to see and experience it all (whether you want to or not), but that’s not to say other cities in Britain are lacking in travel weirdness. The strangest (well, it’s a toss-up since it’s ALL pretty effing strange) was in a Leicester taxicab, where the driver held me hostage outside my flat as he begged me to let him take me out to dinner. He insisted he could make me happy; apparently he knew what I needed in my life and he could offer this to me – and I should give him a chance to prove himself. I gotta admit, that would’ve been one hell of an offer if he hadn’t been so keen for us to move to India – though I reckon it would’ve been a lot more exciting than Leicester. He wrote his mobile number on the back of the taxi company’s card, then grabbed my hand, not letting go until I promised to call him. Funny that he didn’t waive the fare though. Now THAT would have made me happy.

Gosh. I do hope he’s not still waiting for my call…

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There’s nothing more pompous than a writer who is precious about his or her work. If you’ve been around a bit, be it in the publishing world or even in a creative writing class, you’ve no doubt run into such a creature. As the editor of a number of anthologies, I’ve met up with my fair share of writers with inflated egos and more attitude than talent, but come on – there’s a limit!

The other day I received a rather unpleasant email from an author who told me that he no longer wishes to receive any communication from me. Now this is not someone with whom I’ve been in endless email discourse, but someone who might, if he’s lucky, get an email from me maybe once or twice a year. Apparently I remind him of a world he’d rather not be a part of  – which I assume means the one belonging to a writer who does not have the luxury of toiling away in an Ivory Tower deep in the rugged hinterland, protected from the unpleasantries of the world such as promotion, publicity, administrative tasks, laundry, and pretty much struggling to avoid having one’s mail forwarded to a cardboard box.

Now I’m not going to name this individual, save for the fact that he’s had several books published and, thanks to me, sold several more on my recommendation alone. In his email where he dismisses me from his universe, he emphatically states that he is a writer of “SERIOUS LITERARY FICTION.” Ouch! I guess in effect he’s telling me (and thousands of other writers) that what we do is shit.

I’ve never met this guy, and frankly after this exchange I’ve no desire to. I did get in the last word, however, telling him that he’s a lucky man indeed, if he has the luxury of avoiding all the hard graft the majority of us must undertake in order not to sink into the quicksand with all the other writers out there trying to survive against nearly impossible odds. Perhaps he also has publishers who knock themselves out to promote his books, unlike those of us who find ourselves in the rather unpleasant position of having to become not only our own publicist, but our own motivational speaker.

Those of you who’ve been working at this gig for awhile will know that the success of a book very often has nothing to do with how good it is, but rather how much went into its promotional budget. Get your book plastered all over the walls of the London Underground and sure, you can bet it’ll shift a multitude of copies. Send out a paltry smattering of review copies and it might shift a copy or two. Or it might not, depending on whether the reviewer was suffering from PMS that day. The irony is, the average Stephen King novel gets a huge promotional push, though with his amazing track record he hardly needs the kind of financial outlay that goes into selling his work. Yet the last I heard even Mr. King wasn’t too precious to indulge in a bit of self promotion. Why? Because that’s the way the game is played. I’ll tell you this: I’m thrilled to bits if someone is interested enough in my work to come to a reading or book signing just to see little me. And I’m even more thrilled if they plonk down their hard-earned dollars, pounds, euros, or rubles to actually buy something I’ve written.

Needless to say, I doubt very much that our Mr. Precious in his Ivory Tower will be reading this blog post. Reading a blog is beneath him, as is the filthy cesspool of literature festivals and book signings and author interviews. Should the time ever come when he can no longer meet his mortgage payments, I wonder if he’ll still feel the same way.

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What do you do when your book is mislabelled? No, I’m not talking about some spotty teenaged kid at Wal-Mart putting the wrong price sticker on it. I’m talking about something a lot more annoying and something which can potentially affect your book sales - sometimes to the negative.

When readers head over to a bookshop or to an online bookseller to find a book to purchase, they might go to a specific category, be it crime, romance, science-fiction, chick-lit, self-help, whatever. They then have certain expectations of what these books will be about. But what happens when a book isn’t quite what it says on the tin? Well, readers may get more than they bargained for and have their reading experience elevated to a higher level. At least this is what we as writers hope will happen! But what about those readers who miss out entirely on a book because of the way in which it’s labelled?

Labelling isn’t necessarily done as a sinister plot to mislead a book buyer into purchasing something he or she doesn’t want to buy (though if a recent article about publishers suddenly labelling everything chick-lit is anything to go by…), but rather a matter of expediency. If it says sci-fi on the cover, booksellers know to stock it on the sci-fi shelves, and readers know to find it there. Simple, right? In the majority of cases, this works just fine for most categories of fiction and non-fiction. But what about those times when it does not work just fine?

I’ll draw upon my own experiences in this area to demonstrate my point. Although much of my work has been in the area of erotic fiction, or “erotica” as it is more commonly referred to, the label has on occasion been misapplied. Case in point: my anthology Dying For It: Tales of Sex and Death. This is a multi-genre collection of short stories ranging from crime, romance and horror, to literary fiction and erotic fiction. Before it went to press, I spoke on the phone to my publisher in New York discussing this very issue: how to label the book. We both agreed that classifying the work as “erotica” was not really accurate, therefore it was agreed that the anthology would not be labelled as such. But when the book came out, there it was on the back cover: ”erotica.” Clearly the opinions of the creator and editor of the book (me) and the gentleman who’d so enthusiastically agreed to publish it were overridden by someone with no concept of what the anthology was about (they probably just saw the word “sex” in the title) and had probably not even read one story contained within it.

The problem is, there are many readers out there who are not interested in reading erotica – or what they either rightly or wrongly perceive to be ”erotica.” However, they might not be averse to reading material that contains sexual themes or content, providing this is placed within a wider context. These readers probably don’t bat a proverbial eyelash at the sexually explicit and often even purple prose to be found in a John Updike or Philip Roth novel, but will they buy a book that proclaims itself to be erotica? Unlikely. Which means, you’ve lost a reader, and you’ve lost a sale.

Don’t get me wrong – labelling a book in a specific genre can have its advantages, providing said book is labelled properly. But this requires a bit more than a one-size-fits-all mentality by publishers. It requires some thoughtful analysis of what a book is actually about and who might be interested in reading it. It should be the goal of a publisher to attract the widest possible audience to a book, which will result in higher sales figures – and a label can either help or hinder this process. Placing a book such as my Dying For It into a specific classification can undermine what the author (or editor) is trying to accomplish. Likewise, it can keep readers away from books they might have considered, were it not for the label. A book is not a garment with a tag sewn into the collar listing its size and washing instructions. By treating it as such, we not only shortchange writers, but readers as well.

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Within the past week I’ve had two people say to me – “but I like REAL books!” They were, of course, unhappily referring to the increasing popularity of electronic readers such as Amazon’s Kindle, and therefore the increasing popularity of books you can download and read on said reader. Unfortunately, I own no shares in Amazon.com (I wish I’d gone with my gut instinct on this years ago rather than listening to the dotcom doomsdayers, one of which was the investment guy who advised me to buy mutual funds whose managers are now all in jail), but that’s beside the point. Granted, in a way I agree – there is nothing like holding a book in your hands; it’s tangible, tactile, it looks nifty on a bookshelf, and hell, it can even make a damned good door-stopper, to say nothing of performing other important household functions. Why, just the other day while Facebooking I found myself being harassed by a wasp. Needless to say, he meet his fate quickly (and no doubt painlessly) at the hands of a novel I’d grown bored of reading.

So why am I jabbering on about Amazon Kindle? Well, for very good reason! My bestselling and now out-of-print erotic novel The Captivity of Celia (written as M. S. Valentine) has just been published as a Kindle book. Indeed, thanks to Amazon Kindle it has been brought back to life, and several of my other Valentine titles will be following suit via this platform. Is that such a bad thing? Not if it puts a few bob in my pocket! And I’m suddenly hearing from other authors who are feeling quite encouraged about this new opportunity to gain readers and thus earn a bit to put toward the rent.

Speaking from the rather prejudiced perspective of a writer, the really great thing about the Kindle is that the author can publish directly with Amazon, thereby cutting out those annoying little middlemen such as literary agents and book editors and publishers who, as many of us in this business have already learned, know as much about publishing good books as your senile old Aunt Gertrude in Hoboken, New Jersey. Hang on a minute – isn’t Gertrude the name of that editor who rejected my last book?

So before we go starting up a Kindle fatwah, we need to gain some perspective. People who like print books will always buy print books. The marketplace cannot ignore such a large percentage of readers. However, those who prefer the transportability, the varied features, and the ability to store a multitude of titles, not to mention being able to bookmark them, will add the Kindle to their reading repetoire. There’s room for all of us. Let’s just all try to get along, shall we?

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