Errant Ramblings: Mitzi Szereto’s Weblog

Mitzi Szereto takes some time out of her schedule to chat with Talk Radio Europe presenter Hannah Murray about books, writing, Jane Austen, and sexy vampires. Find out more about Pride and Prejudice: Hidden Lusts, In Sleeping Beauty’s Bed: Erotic Fairy Tales, and her autumn release Red Velvet and Absinthe: Paranormal Erotic Romance, as well as Mitzi TV!

To listen to the interview, CLICK HERE.

Teddy Tedaloo confiscates the "Pride and Prejudice: Hidden Lusts" author copies

Mitzi Szereto chats from South Florida with Boston’s Joe Viglione on Visual Radio in a two-part interview about books, writing, publishing, and her controversial new release Pride and Prejudice: Hidden Lusts.

Click here to listen to Part 1

Click here to listen to Part 2

My famous furry sidekick and partner in crime Teddy Tedaloo (or McTedaloo) and I are recently back from a glorious weekend in the Shetland Islands of Scotland (aye, laddie), where I was invited to appear at the ninth annual Wordplay book festival. Though I’ve been to other parts of Scotland (see my blog posts 1, 2, 3), this was my first visit that far north, and I was warned of high winds that might blow me over into Norway, but instead I just ended up with my hair being blown the wrong way.

On the Saturday I did a talk and performed readings from my short story “Hell is Where the Heart is” from Getting Even: Revenge Stories and two selections from In Sleeping Beauty’s Bed: Erotic Fairy Tales. I think it went over fairly well, since I didn’t hear any snoring. On the Sunday morning I conducted one of my erotic writing workshops. The somewhat unusual fact that it was scheduled at 10am on a Sunday morning was pointed out to me by several people, and, though I worried that it might conflict with church services, I went ahead with it anyway, playing to a sellout crowd who clearly found some divine inspiration!

Mitzi Szereto and Teddy Tedaloo on the boat cruise

I tell you, it was all happening in Lerwick that weekend. Aside from Wordplay, there was Screenplay (the film festival), and even a blues festival taking place. Ted and I managed to squeeze in the screening of Requiem for Detroit from film director Julien Temple, who was in attendance. We even went on a boat cruise to Bressay and Noss, which left at least one person seasick (Ted was looking a bit green himself) due to the rough seas, though it was great fun when we went along at a swift clip. We were at the aft with some of the heartier passengers, hanging on for dear life to a pole, the wind in our hair (and fur), as we rode our watery roller coaster. It left me feeling unsteady and queasy for the next 24 hours, but hey, it was worth it!

Mitzi Szereto and Teddy Tedaloo with BBC Radio Shetland presenters Amy Fisher and Jonny Polson

When I landed in the Shetland Times, I figured I was a pretty hot commodity. I (along with Ted) was also interviewed by the presenters of BBC Radio Shetland’s arts and culture programme “Sideways”, and they were most impressed with Ted’s erudition and fine fashion sense. In fact, I suspect the young lady presenter quite fancied him (can’t say I blame her, Ted being an extremely handsome bear). I suppose with all this publicity it shouldn’t have been surprising that the entire town seemed to know who I was – from the local tourist office to the blokes who operated the tour boat (one of whom suggested I teach erotic writing to the other passengers). I tell you, I was feeling like a real celebrity. Until…

…I found out that Teddy had almost made the cover of the festival brochure. At that point I began to suspect that it might not have been me the festival folk wanted to grace their stages, but Ted. This wasn’t the first time I’ve been upstaged by him; however, things really became glaringly obvious when Julien Temple entered into a discussion with Ted about doing a film about his life, only to end up in tears (Julien, not Ted) when they couldn’t agree on a soundtrack. Julien wanted The Sex Pistols; Ted’s more a Temptations bear. He loves their song “My Bear.” (I’ve got sunshine on a cloudy day…)

Mitzi Szereto and Teddy Tedaloo at Fort Charlotte

Which brings me to the subject of food. Did I mention the breakfasts at our hotel? You’d never get that kind of breakfast in London, EVER. I asked for a small kipper to accompany my other selections, and I got a kipper the size of a vintage Cadillac. And it was a real kipper, not some freeze-dried, shrink-wrapped, bargain kipper either. One breakfast was enough to feed me for an entire week.

Of course, no venture outside of my front door is complete without some mishap. My worst fear on returning home was the tube strike, which began at tea time on the day of the evening I was to fly back to London. When I arrived at Gatwick, it was pissing down with rain. However, the adventure had only just begun, for my suitcase had not arrived along with us. I suspect it had remained behind at Edinburgh airport (where we changed planes) to avail itself of the whisky-tasting table at the duty free. Note that I’d carried this piece of luggage with me for the two flights on the way up, but encountered a problem at Sumburgh Airport in Shetland, where my tweezers appeared to spark fears of a terrorist attack.

They searched my suitcase and everything in it looking for my sinister contraband – you’d have thought I had a bomb strapped to my back from the way they were going though my stuff. When they found the offensive item and threatened to take it off me, well… I wasn’t having it. I can’t buy those tweezers anywhere (and they never caused a problem before in a carry-on), so after a few minutes of discussion, they agreed to mail them back to me if I paid for postage. Then it was suggested (especially since the plane was a small propeller one) that I should just check the bag all the way to London. By that time I would have agreed to anything, therefore I hurriedly checked it, instantly regretting it and having an ominous sense of foreboding that it would not be arriving with me. All during the flight I feared the loss of my mobile phone charger, my camera charger, numerous items of clothing, my favourite black suede boots, the Shetland fudge and Scottish tablet I’d bought, bits and pieces from the festival…

Despite my scarily accurate sixth sense, my tale has a happy ending. The suitcase was recovered (and fully intact) and delivered to my home the next night, and Teddy and I are now making really quick work of that Scottish tablet and Shetland fudge!

If you fancy trying your hand (so to speak) at a bit of erotic writing, you can catch me at my Literotica workshop in the first weekend of October on the Isle of Wight.

(A bit of after-party merriment, featuring fellow Yank, Will Kaufman.)

Check out my latest interview at Eden Fantasys, where I discuss writing, blogging, Mitzi TV, erotica, my new book In Sleeping Beauty’s Bed: Erotic Fairy Tales, the publishing business and, of course, being a social media maven! There’s even some advice for aspiring writers.

“Mitzi Szereto is best known for writing which mixes classical elements with current trends. How does combining the past with the present inspire Mitzi’s creative process? How does she see the erotic genre evolving in the future?”

Click here for full text of the interview.

There’s a lot to be said for being a bin man. Now I’m not trying to use sexist terminology here, but I’ve yet to see a lady bin man. Anyway, “bin man” has a better ring to it. So, for aesthetic purposes, let’s continue with the masculine title.

I’m often approached by people who tell me that they want to become a writer and ask me for advice on what to do. (I generally tell them to go buy a gun and shoot themselves.) They get this child-like glazed-over look in their eyes, no doubt envisioning all those wining and dining New York City lunches with high profile agents and book editors at Tavern on the Green. Oh yeah, Tavern on the Green went bust, didn’t they? Ah well, considering the fickle and transient nature of the publishing business, you’ll be lucky if your agent or editor springs for a Big Mac and fries!

Which leads me to the point of this blog missive: if you had to choose between a career as a writer and a career as a bin man, which would it be?

I can hear your answer already, you poor deluded naive soul. Though who am I to burst your bubble? But may I, for a moment, plead the case for the humble and unappreciated bin man?

There are many advantages to being a bin man. First of all, there’s the obvious: a steady paycheque. Depending on which country you live in, there are some good benefits too, such as health insurance for you and your family and a nice pension plan. Of course, if you’re living in America, the government will probably take these things away from you in order to bail out fat-cat bankers. But I digress…

Another advantage to being a bin man is that no one’s likely to rip off your ideas because they lack the talent, creativity and ability to come up with their own. (Forget that “intellectual property” bullshit; it won’t hold up in court.) Having said that, if you in your capacity as bin man suddenly develop some innovative new method to carry or empty bins, it could happen – and all the other bin men will be jumping on the bandwagon (or rubbish truck) doing the exact same thing. But let’s leave that for now, since bin men don’t need to live off their royalties!

Oh, yeah. And that’s another good reason to choose the litter-strewn path of a bin man – no royalty payments. Bin men are paid a set amount per week or month, and there’s no fluctuation in that number unless a pay rise (or cut) has been implemented. As for writers, when (or IF) your royalty payments turn up, they might look a tad peculiar, as in never actually accruing any earnings above the advance which was paid out (usually barely enough to pay the gas bill). I’ve had discussions with other writers on this very subject and they all say the same thing: they rarely see a penny in earnings after they’ve deposited their very tiny advance cheque (and some writers don’t even get an advance!). Yet go on Amazon or phone your local Barnes & Noble, and they’re always out of stock and having to reorder your books. It kinda makes you wonder if some of these publishers have Mr Bean doing their accounting.

Obviously, the issue of royalties means that you’ve actually been published – and to be published, your work needs to be seen by the right people (and by right people, I mean a real editor or agent, not some ditsy college intern who thinks she’s Carrie Bradshaw). Bin men don’t need to worry about their work being seen by the right people. They empty the rubbish and that’s it, they’re done. Writers waste time and energy and money submitting their material to agents and publishers, only to have it not even properly considered (let alone read) or completely ignored. (And yes, Dorothy, that includes solicited submissions.) Bin men also don’t have to swallow down that great big gorge of vomit every time they see some hack who can’t write his or her way out of a paper bag being rewarded with book deal after book deal as effortlessly as a rat drops turds.

Am I suggesting that the majority of writers are treated like shit by those who seek to profit from our labours? I’ll let you decide. But let’s face it, there are far too many of us around, and our sheer numbers alone do little to inspire respect from those who have control over our livelihoods. We’re like the cast of a spaghetti western – you can shoot down as many of us as you want, yet still more keep popping up. Come to think of it, maybe we’re like those zombies from Night of the Living Dead.

To aspiring writers, I recommend the Martin Amis novel The Information. Flawed or not, it deals with the grim realities of the publishing business and “life” as an author. More importantly, however, it deals with the celebration of mediocrity which, I’m sorry to say, permeates every aspect of our culture, not just the literary spectrum. Also read my blog posts Aren’t We Just Precious: Writers Who Live in Ivory Towers about author ego and book promotion, and Fairy Tales Can Come True (Well, Maybe if They’re in a Book), which touches on the odds of even getting published at all.

So why do we writers do it? Because we’re sick and twisted, that’s why. And maybe because we don’t want to (or can’t) live like the rest of society. Perhaps it’s our inability to conform that keeps us banging our heads against brick wall after brick wall. Indeed, we’re true renegades.

…Or true masochists.