Errant Ramblings: Mitzi Szereto’s Weblog

Mitzi Szereto takes some time out of her schedule to chat with Talk Radio Europe presenter Hannah Murray about books, writing, Jane Austen, and sexy vampires. Find out more about Pride and Prejudice: Hidden Lusts, In Sleeping Beauty’s Bed: Erotic Fairy Tales, and her autumn release Red Velvet and Absinthe: Paranormal Erotic Romance, as well as Mitzi TV!

To listen to the interview, CLICK HERE.

Warning: the following material contains commentary that might offend literary purists and those who lack a sense of humour.

The recent controversy swirling around my new book Pride and Prejudice: Hidden Lusts has come as a bit of a surprise to me, particularly after the tremendous success of Pride and Prejudice and Zombies. Having written my version in the same spirit (minus the zombies), I assumed the reception would be, for the most part, along similar lines. After all, Pride and Prejudice and Zombies ended up on the bestseller list and is being made into a film, so a lot of people obviously enjoyed what was clearly intended to be an outlandish parody of a classic novel.

However, with Pride and Prejudice: Hidden Lusts (which is likewise meant to be a parody, albeit a sexual one), a number of people appear to have misplaced their sense of humor. If they ever had one, that is.

I quickly discovered that some journalists, along with a pitchfork-wielding mob of so-called literary purists and Jane-ites, were vilifying both my book (and me as its author) before it had even come back from the printer. It seems odd that there was all this frothing at the mouth from individuals who hadn’t even seen a copy of the book, yet had plenty to say about its contents. You would think I’d penned a how-to guide advocating the cannibalism of young children, judging from the vitriol being spewed in my direction.

There appears to be this presumption by the pitchfork coalition that Jane Austen was some prim and proper spinster who wouldn’t have dared to be so impolitic as to address sexual matters in her novels. Therefore who was I, a lowly writer, to tamper with such purity? I wonder if these hecklers from the peanut gallery have even read the original Pride and Prejudice, since it alludes to matters most impolitic, indeed. Considering the time in which Jane Austen wrote and the fact that she was woman writing in what was a man’s profession, it doesn’t take a genius to figure out that there was only so far she could go with her characters. I’m certain if she were alive today, we’d see a very different Pride and Prejudice.

Although Austen’s novels dealt for the most part with matters of the heart, she was also a keen satirist and social commenter. Pride and Prejudice was, in many people’s opinion, the wittiest and most satirical works of her career. Writers such as myself have simply carried on in the spirit of Jane Austen, albeit taking a few artistic liberties. Indeed, there’s a long-standing tradition of authors taking pre-existing works and creating something new from them. We see it all the time. Yet for some reason when this is done with Jane Austen, the practice is suddenly denigrated to the ranks of amateur “fan fiction” or else labeled a “rip-off.” Why is that? Why do the re-imaginings of Austen’s works push so many buttons with these “literary purists” – especially re-imaginings that don’t follow the traditional romance route? And why the vitriol, some of which is not very gentlemanly or ladylike? If it’s the sexual content that’s getting these naysayers’ knickers in a twist, perhaps said naysayers should pay closer attention to the original Pride and Prejudice and ask themselves exactly what a fifteen-year-old girl (Lydia Bennet) was doing with Mr. Wickham (a man in full adulthood) or, for that matter, what he was doing with her predecessor, the very young Georgiana Darcy. I doubt Jane Austen intended for us to believe they occupied themselves in games of whist after running away together, since a popular card game wasn’t likely to cause scandal or land disrepute on these young ladies. Whether Austen fleshed out the unsavory details is irrelevant. As stated previously, it was unlikely she would have allowed herself to or, for that matter, been allowed to when the book was written – not unless she was willing to go “underground” with her novel.

Taking pre-existing works and having a bit of fun with them is something many contemporary writers do, just as it was for writers from the past. The fact that some of us have chosen to do so with Pride and Prejudice merely corroborates the longstanding popularity of the novel and the rich fodder it contains. Jane Austen’s book is an amusing satire full of characters both romantic and ridiculous. Authors such as myself have been inspired by what Austen gave us and decided to take it in a new direction.

Perhaps the members of the pitchfork brigade need to pull that stick out of their backsides and get a sense of humor. After all, Jane Austen had one!

♥♥♥

Postscript: The text of this article first appeared in similar form as ”Pride and Prejudice and Pitchforks” in the Huffington Post. Interestingly, the vitriol continued even there, so much so, in fact, that Post moderators were forced to remove many of the readers’ comments. due to their inappropriate nature and language. I doubt that Jane Austen would have approved such behaviour! It only reinforces my “peanut gallery” argument about those individuals who have neither read my book (nor, for that matter, anything I’ve written!). Readers are perfectly free to love or hate Pride and Prejudice: Hidden Lusts (just as they are perfectly free to love or hate Pride and Prejudice and Zombies), but at least read the books before passing off what claims to be “critical commentary.”

In closing, I’m pleased to say that Pride and Prejudice: Hidden Lusts was selected by the Jane Austen Society of North America (Greater New York region) to be a raffle prize at their Jane Austen conference this past spring. Evidently it was a pitchfork-free zone!

Teddy Tedaloo receives his advance copies of Pride and Prejudice: Hidden Lusts

Step right up and enter to win a chance to receive a pre-publication copy of my raunchy and outrageous new novel, Pride and Prejudice: Hidden Lusts! The book won’t be out till July, but if you fancy a sneak preview, speak now or forever hold your peace! (Or whatever it is you prefer to hold…)

For more details on how to enter, please visit the official Pride and Prejudice: Hidden Lusts website. Oh yeah, and while you’re at it, you can become a fan on Facebook and keep up with all the news! After all, you don’t want to be left behind, do you?

Mitzi Szereto and Teddy Tedaloo with the BBC Radio Shetland "Sideways" crew

During my recent appearance at the Wordplay book festival in the Shetland Islands of Scotland, I had the pleasure of being interviewed by BBC Radio Shetland presenters Jonny Polson and Amz Fisher for the “Sideways” programme. Topics discussed include how I got started writing, teaching erotic writing workshops, my upcoming books (including Pride and Prejudice: Hidden Lusts), and pretty much everything else I get up to that’s suitable for broadcast on the BEEB!

Click now to listen: Interview on BBC Radio Shetland

You can listen again to my interview on Newstalk Radio Ireland (with presenter Sean Moncrieff), where I chat about erotic literature, publishing, pornography, Philip Roth, and vampires.

Originally broadcast on 26 October 2010.

Click now to listen:

Newstalk Radio Ireland Interview

Mitzi Szereto and Teddy Tedaloo on the Isle of Wight ferry (on calmer seas)

My sidekick Teddy Tedaloo and I are recently back (along with a cold) from our yearly jaunt to the Isle of Wight, where I was teaching my Literotica erotic writing workshop. Not unusually, it was a weekend filled with wind and rain and choppy seas. In fact, it was so dodgy on the way over that I’m certain I saw a few passengers on the ferry (and even some of the crew) texting the contents of their last will and testament to their solicitors.

As for me, I’m planning to leave everything to Ted and miscellaneous animal charities. Oh, but we were talking about my workshop, weren’t we? Well, it was yet another successful weekend as I witnessed writers breaking through their literary blocks and actually turning out some sexy prose that didn’t sound like something you might see written on the stall in a public toilet. Mind you, I threatened to chuck them off a cliff (and yes, there was a cliff nearby) if they so much as even dared to write something cringe-worthy. And having some muscle along with me (Ted), I’d clearly scared them into submission. (Notice all the double entendres?)

Although the weather proved inspirational to the writers, even more so was the howling and moaning they were treated to during one of the writing exercises I assigned. I’m sure they thought I’d brought along my own sound effects for the course, only to discover that the howling and moaning was not of the human variety, but instead belonged to the venue’s resident dog. I tell you, I’d never seen so many crestfallen faces in my life!

Now I’ve heard of students giving an apple to the teacher. But giving a bulb of garlic? Well, folks, you heard it here first – one of my students actually came up to me during a session and presented me with a bulb of garlic. Okay, so it was roasted garlic, and it was local to the island, but I’m not entirely sure how to take this. I wonder if it was some kind of weird karma thing, since the evening before I left for the island I received the publishing contract for my new anthology Red Velvet and Absinthe: Gothic Tales of Erotic Romance, a book I’ve had in mind to do for the last four years or so. And you can’t get much more gothic than garlic!

We also had a journalist from a popular women’s magazine on board to do a feature on me – and I got her writing some pretty good stuff, too. As for the photographer who accompanied her, although quite a few shots were taken of me, need I say who, as usual, stole the show? Yup, you guessed it. It seems the photographer was quite taken with Ted (who isn’t?), and frankly I wouldn’t be at all surprised if he ends up on the cover of the magazine. As for the journalist, I’m hoping she’ll at least finish the article she’s writing before quitting her job to take her chances in the big bad world of erotic writing.

Mitzi Szereto and Teddy Tedaloo at the Village Inn pub

As I usually do on these Literotica weekends, I availed myself of the local pub in Shanklin village (along with some local ale) on the Saturday evening, since there’s always live acoustic music happening. Tragically, the hottie from last year wasn’t there anymore (*sobs*), but there was a chap playing guitar and singing, and he was very appreciative of his audience. In fact, he told everyone that he’d never performed for a bear before, then proceeded to dedicate a song to Ted. Man, I never felt like such chopped liver in my life.

Before it was time to embark on the high seas back to the mainland, along with the hell that is known as “commuting through London,” Ted and I were treated to a lovely country pub lunch by our friend Ray Allen, who’s best known for creating the hit BBC TV series “Some Mothers Do Ave Em.” Ray absolutely adores Ted, and was thrilled to have an opportunity to hang out with him again (the last time we all met up was in Wales at the Caerleon Writers’ Holiday, which Ray and I both do gigs at). I had the best pie in my life, and had I not been looking at such a long journey home, I would’ve had an entire pint of the local ale rather than just a half.

Teddy Tedaloo meets The King

Of course, the whole getting-home shtick is never without its usual drama – and like our return journey from the Wordplay book festival last month in the Shetlands, there was yet another strike on the London Underground. I was stressed out by the time I reached Waterloo station, but the gods were watching over us, and we got there in enough time to catch the tube before it shut down completely. I also had my faith in Englishmen restored (well, for a few seconds anyway) when a lad on the train insisted on carrying my suitcase up some stairs, and kept asking me all about myself, at which point he introduced himself as Ian.

Ian. Do  you think this could be yet more of that weird karma at work? Probably not. Though he didn’t tell me his surname, I’ve a sneaking suspicion it wasn’t Somerhalder!

There’s a lot to be said for being a bin man. Now I’m not trying to use sexist terminology here, but I’ve yet to see a lady bin man. Anyway, “bin man” has a better ring to it. So, for aesthetic purposes, let’s continue with the masculine title.

I’m often approached by people who tell me that they want to become a writer and ask me for advice on what to do. (I generally tell them to go buy a gun and shoot themselves.) They get this child-like glazed-over look in their eyes, no doubt envisioning all those wining and dining New York City lunches with high profile agents and book editors at Tavern on the Green. Oh yeah, Tavern on the Green went bust, didn’t they? Ah well, considering the fickle and transient nature of the publishing business, you’ll be lucky if your agent or editor springs for a Big Mac and fries!

Which leads me to the point of this blog missive: if you had to choose between a career as a writer and a career as a bin man, which would it be?

I can hear your answer already, you poor deluded naive soul. Though who am I to burst your bubble? But may I, for a moment, plead the case for the humble and unappreciated bin man?

There are many advantages to being a bin man. First of all, there’s the obvious: a steady paycheque. Depending on which country you live in, there are some good benefits too, such as health insurance for you and your family and a nice pension plan. Of course, if you’re living in America, the government will probably take these things away from you in order to bail out fat-cat bankers. But I digress…

Another advantage to being a bin man is that no one’s likely to rip off your ideas because they lack the talent, creativity and ability to come up with their own. (Forget that “intellectual property” bullshit; it won’t hold up in court.) Having said that, if you in your capacity as bin man suddenly develop some innovative new method to carry or empty bins, it could happen – and all the other bin men will be jumping on the bandwagon (or rubbish truck) doing the exact same thing. But let’s leave that for now, since bin men don’t need to live off their royalties!

Oh, yeah. And that’s another good reason to choose the litter-strewn path of a bin man – no royalty payments. Bin men are paid a set amount per week or month, and there’s no fluctuation in that number unless a pay rise (or cut) has been implemented. As for writers, when (or IF) your royalty payments turn up, they might look a tad peculiar, as in never actually accruing any earnings above the advance which was paid out (usually barely enough to pay the gas bill). I’ve had discussions with other writers on this very subject and they all say the same thing: they rarely see a penny in earnings after they’ve deposited their very tiny advance cheque (and some writers don’t even get an advance!). Yet go on Amazon or phone your local Barnes & Noble, and they’re always out of stock and having to reorder your books. It kinda makes you wonder if some of these publishers have Mr Bean doing their accounting.

Obviously, the issue of royalties means that you’ve actually been published – and to be published, your work needs to be seen by the right people (and by right people, I mean a real editor or agent, not some ditsy college intern who thinks she’s Carrie Bradshaw). Bin men don’t need to worry about their work being seen by the right people. They empty the rubbish and that’s it, they’re done. Writers waste time and energy and money submitting their material to agents and publishers, only to have it not even properly considered (let alone read) or completely ignored. (And yes, Dorothy, that includes solicited submissions.) Bin men also don’t have to swallow down that great big gorge of vomit every time they see some hack who can’t write his or her way out of a paper bag being rewarded with book deal after book deal as effortlessly as a rat drops turds.

Am I suggesting that the majority of writers are treated like shit by those who seek to profit from our labours? I’ll let you decide. But let’s face it, there are far too many of us around, and our sheer numbers alone do little to inspire respect from those who have control over our livelihoods. We’re like the cast of a spaghetti western – you can shoot down as many of us as you want, yet still more keep popping up. Come to think of it, maybe we’re like those zombies from Night of the Living Dead.

To aspiring writers, I recommend the Martin Amis novel The Information. Flawed or not, it deals with the grim realities of the publishing business and “life” as an author. More importantly, however, it deals with the celebration of mediocrity which, I’m sorry to say, permeates every aspect of our culture, not just the literary spectrum. Also read my blog posts Aren’t We Just Precious: Writers Who Live in Ivory Towers about author ego and book promotion, and Fairy Tales Can Come True (Well, Maybe if They’re in a Book), which touches on the odds of even getting published at all.

So why do we writers do it? Because we’re sick and twisted, that’s why. And maybe because we don’t want to (or can’t) live like the rest of society. Perhaps it’s our inability to conform that keeps us banging our heads against brick wall after brick wall. Indeed, we’re true renegades.

…Or true masochists.

Mitzi Szereto's "In Sleeping Beauty's Bed: Erotic Fairy Tales"

You know that expression “it ain’t over till the fat lady sings”? Well, I don’t even give her a chance to open her mouth! I apply this methodology to my professional life and to my personal life. Alas, the latter hasn’t proved as successful as the former, but we aren’t here to talk about that, are we?

Indeed, I’m not the kind of woman who takes “no” for an answer. When I started out in this literary gig, I knew the odds were hugely stacked against me. Hell, they still are. You think it’s easy to sell a book? – especially when you refuse to churn out the same shite everyone else does? I’m definitely my own drummer, and when I think what I’m doing is right, there’s no convincing me otherwise.

Case in point: my book of solo short stories Erotic Fairy Tales: A Romp Through the Classics. How I laugh when I hear some precious writer grumbling that their precious novel went to seven publishers before it finally found a home. Seven? What is seven? Try fifty, baby, then you can start grumbling! Yes, my little masterpiece went to about fifty publishers worldwide. I even had a literary agent working on it for a year (and believe me, I’ve lost track of the number of agents I’d submitted the thing to before I went with this one). Not that he did sweet FA, other than collect money off me for every conceivable cost, save for loo roll. (Wait, I think he did bill me for a jumbo pack of Charmin!) Half the publishers the manuscript was submitted to were ones I suggested to Mr. Literary Agent, the other half he came up with – and they were totally off the wall, including some tiny press in Georgia that only publishes poetry. WTF?

Fine, I’m used to always having to do everything my own damned self, since no one ever does anything right – and that’s if you can count on anyone to do it in the first place. But come on. I even had to track down an editor because my manuscript was returned unread, along with a letter stating that said editor no longer worked at said publishing house. Now correct me if I’m wrong, but isn’t this a clue to find out who took his place in order to then resubmit the material  – and indeed, to submit to the original editor at the new publishing house as well? Apparently that took a bit of common sense and initiative, neither of which my so-called literary agent possessed. No wonder every time I phoned the guy he always sounded as if he’d been asleep… which he probably had been. Ah, well, I suppose it beat the New York agent who had a dog barking incessantly in the background while she tried to convince me over the phone to shell out 500 bucks to her to read my manuscript. Had I done so, I’m sure it would have ended up as one of those “my dog ate my homework” deals.

Undaunted by the blatant hopelessness of my situation, I resumed control of my product and re-embarked upon the quest to find a publisher. I submitted far and wide, to publishers in every corner of the globe. Had there been publishers on Mars, I would have submitted to them too. In fact, I was running out of publishers. Oh, the despair! Finally I put together my last batch of mailings and headed to the post office (which by this time was thriving thanks to my generous patronage). This was it. If it didn’t happen, it wasn’t going to happen – there was no one left.

The next morning my phone rang. It was a publisher, and she wished to speak to me about my fairy tales manuscript. I was asked to come to their San Francisco office for a meeting. Since I lived in Sonoma County at the time, this was fairly easy. Besides which, I always welcomed any chance to drive across the Golden Gate Bridge – I still do, in fact!

And that’s the tale of how Erotic Fairy Tales: A Romp Through the Classics finally saw the light of day. The book has sold so nicely and has been reprinted so many times that Cleis Press decided to publish a second edition – the now renamed In Sleeping Beauty’s Bed: Erotic Fairy Tales. I invited author Tobsha Learner to write a special forward, along with some words of praise on the back cover provided courtesy of author Nancy Madore. The book will be out in autumn 2009 and is already available (HINT HINT!!) for pre-order at the lovely Amazon.com.

So you tell me who was wrong: all those publishers who passed on my book, or me?

Have you ever wanted to get out of something so badly, yet no matter what excuse you came up with it always sounded completely lame? Well, fret no more. Here’s the perfect one-size-fits-all excuse guaranteed to get you out of anything!

Mind you, proving it might be a more difficult matter. But hey, first thing’s first, right?

A mate of mine stopped by the other day, and I was telling him about how I really didn’t want to do something I’d committed to several months ago – something which, if I bailed on, would not make me look too great. Now bear in mind that I’m the sort of person who always keeps her word and doesn’t break promises or renig on obligations. I’d like to think I have integrity in my dealings with people, and integrity is something we don’t see enough of in these selfish ME ME ME IT’S ALL ABOUT ME times in which we live. But I was feeling really depressed about having to go through with this particular thing, so I jokingly in conversation came up with a potential excuse to get out of it.

No sooner had I spoken than I realised that I’d actually given birth to this excuse a few days earlier at the gym, when I ran into one of the lads who works there; he’d promised me we’d go out on the town for a night of clubbing. (Apparently the town in which I reside has a club that’s supposedly so brilliant people commute here from all over London just to go to it. Not sure I quite buy that grand description, judging from some of the creatures I’ve seen queued up outside.) Anyway, I never heard back from him about our big clubbing night and figured oh, just another talker. You know the sort – they totally love you when they see you and “oh, we really must go out and party!” – then you never hear from them.

I didn’t see him for two weeks after our initial plan and figured he’d either gone off on holiday or been fired. Well, I couldn’t have been more wrong. The minute he saw me he began to gush about how he’d been in hospital for the last two weeks with complications resulting from a misdiagnosed case of mumps – said complications being a near-fatal case of encephalitis. So I jokingly retorted that I’d heard all sorts of excuses to get out of something, but being dead would’ve been the best one yet.

You get where I’m going with this?

I bet in all the years you’ve been concocting bogus lame-ass excuses you never once thought of that one. (Have I become obsessed with this theme due to a certain anthology of mine?) Hey, just think of all the boring and unpleasant things you can get out of:

- I won’t be able to turn in my term paper. I’m dead.

- I can’t make it into the office today. I’m dead.

- I won’t be able to attend your dinner party. I’m dead.

- I can’t see you tonight. I’m dead.

- I won’t be able to marry you. I’m dead.

- I can’t buy you an anniversary gift. I’m dead.

- I won’t be able to finish this blog post. I’m ……………………….

Here’s a little theme music to help inspire you: http://www.youtube.com

Yes, it’s that time of year again. Spring is on our doorstep, flowers are bursting into bloom, the sun is shining (at least some of the time); those heavy winter coats can finally be put away. A long holiday weekend is on the horizon – the Easter Bank Holiday weekend, which starts on Good Friday and runs through Bank Holiday Monday. Plenty to do, lots of places to go. A perfect time for some Erotic Travel Tales, if you’ve a mind to book a trip out of town.

Well, just try to bloody get anywhere!

The sadistic stooges who run the public transportation system here in Great Britain (and, more specifically, its overcrowded capital London) prefer to hold many of us hostage in our homes rather than allow us to actually go anywhere and maybe, just maybe, derive a few minutes of enjoyment from this bleak joke we call “Life”. Oh, they may not wear balaclavas, but they’re as mean and unscrupulous as any band of hostage-takers you’re ever likely to encounter. Who needs the IRA or Al Kaida when we have these railway charmers in our midst? Foolish little me for making plans for Good Friday for what sounded like a fun night out in Brick Lane consisting of several live bands plus some rather interesting-sounding beer. Easter Sunday held the promise of a cracking good Sunday roast lunch at a city pub with a bunch of American expats, no doubt followed by still more pubs and invariably a discussion of British immigration policies and teeth.

And I was really looking forward to it too.

Well baby, it ain’t gonna happen. Why? Because this weekend is going to be chock full of engineering work on the rail lines, including those of the London Underground. Weekends are usually fraught with this sort of thing at various locations throughout Greater London and beyond, but when it comes to bank holiday weekends, they really get out the big guns. Now it isn’t completely impossible to get where I need to go, but when the routing takes on all the proportions of a clandestine attack on a major world leader, it’s time to call it a day. Both events I’d planned to attend take place in the city, near London Liverpool Street station – generally an easy commute by train, 35 minutes or so. Not this weekend, however. The trains from where I live will not be running past a certain point, meaning I cannot get to either Liverpool Street station or Stratford East London (where I could catch the tube). If I were to even attempt such a journey, I’d end up on some convoluted acid-trip of a route which would take more than two hours one way for what should only be a half hour. And let’s not even talk about whether I’d be able to make it home at night.

Fine, I’m resourceful; I figured I’d be creative and find another way that, although inconvenient, would not be quite as inconvenient as what the National Rail website was proposing I do: I’d get off the train at Romford and change to the Romford to Upminster line, then catch the District line tube from there into the city and directly to Aldgate East – perfect and right where I needed to be! Not the most convenient or ideal routing, but do-able. Well, the District line at Upminster also isn’t running, thereby cutting off yet another large sector of the population from the city. I wasn’t beaten yet though. The C2C train goes from Upminster into the city – so I could still get that train from Romford to Upminster, then catch the C2C and get off at West Ham, where I’d catch the District line to Aldgate East. Hey, not so fast, madam! The Romford to Upminster line isn’t running at all, and what should normally be a short hop on this particular line would now take nearly two hours via, of all places, Southend (no wonder the National Rail website had an ad for the local Holiday Inn posted right above the train routes). And this time frame doesn’t even factor in the other legs of the journey.

Looks like I’m not going anywhere. This reminds me of those deadly virus movies where they isolate whole segments of the population so they don’t spread the disease and infect others. Seems like a hell of a lot of people from the Eastern edge of the capital out past the M25 will be stuck at home this Easter weekend – or not going anywhere near London anyway.

I find it interesting that many third-world countries manage to maintain, upgrade, and expand their rail systems without causing serious disruption to its residents, so why can’t Great Britain? As for our European neighbours, I can’t imagine the French, Spaniards, Greeks or Russians putting up with this crap. There would be rioting in the streets, politicians would be hung from the branches of trees and publicly neutered with a dull knife. Over here in Blighty they only seem to get the fighting spirit when their football team has lost – or, for that matter, won. Sure people may moan a bit, but then they go have a cup of tea, and the rail fares continue to spiral upwards for what has become an increasingly eroded level of service.

But don’t worry, be happy! The Olympics are coming to London, and those of us who live east of the city will be made to suffer even more than we already do just so the tourists who come here to spend their money can enjoy a state-of-the-art British public transportation system (now if that isn’t an oxymoron I don’t know what is) – with nice places to wait out of the cold and wind (been to the train platforms at Stratford lately? Perfect for catching pneumonia!), and nice shiny trains that aren’t reeking with the stench of greasy chips, or littered with the gnawed-over remnants of fast food, empty beer bottles and ripped-open condom packets (I don’t even want to think about where the contents of said packets have ended up).

I don’t know about you, but I wish to make a complaint! http://www.youtube.com